Getting close to the finish, things now start to rev up on this track in terms of tempo. "One in a Million" gets up to speed right away in the kickoff and it is real excitement, with a seductive twirling and falling-forward action and a feeling of haunted sadness. The song has roots in Pet Shop Boys material nearly 10 years old. At one time it was considered for a Take That project that never happened. I don't like to say there are weak songs on Very but if there are this would be it (it is absolutely not "Liberation," which I've seen discussed too casually that way). "One in a Million" is safely cloistered in harmless sentimental pop regions, one more gentle empathic song about unrequited love, melting into the Pet Shop Boys coy way of fuzzing up gender. The idea is equal opportunity projection: draw your own conclusions with the fantasy other of your choice. They did this over and over in the '80s and no one seemed to notice. After "To Speak Is a Sin" it's harder for me anyway to hear "One in a Million" as hetero, but their lyrical gender ambiguity stands them in good stead (I admit it took me some time to fully fathom "To Speak Is a Sin"). The focus here is one more poor sap who loves his (her/their) partner more than is returned and that's basically universal. In the days when I played this album constantly "One in a Million" always felt like a brief rest stop between the withering, sophisticated statement of purpose in "Young Offender" and the magnificent "Go West." But stick around if you're trying to save a relationship. This song might speak to you.
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