Sunday, June 16, 2019

A Portrait of the Artist as a Young Man (1916)

The first novel by James Joyce took over 10 years to write. Published when Joyce was 34, it's not a big book. The time was occupied with poverty, drinking, revising, and drafting, not necessarily in that order. At one point it was giant. I read it in my 20s and reread it recently and both times I loved the first half and then felt this autobiographical artist-coming-of-age tale bog down as the main character Stephen Dedalus reaches his mid-teens, when religion swamps his education and fuels a provocative resentment. My favorite sections might be the transcriptions of their lessons on hell, which are vivid and just a little sick: "The blood seethes and boils in the veins, the brains are boiling in the skull, the heart in the breast glowing and bursting, the bowels a red-hot mass of burning pulp, the tender eyes flaming like molten balls." The lesson goes on like that for quite some time. Joyce's language all through is singing, vibrant, and concrete, not just on hell, but the narrative is often elliptical, forcing us to construct context and setting from clues. It lands hard on specific points in time, but then skips ahead with little warning beyond new chapters and line breaks. In a general way I share Joyce's resentments about the church, but I certainly don't share his experience. That's mainly what mires me down in the second half, as religion marks and distorts every aspect of his life and especially his education. No wonder he's so pissed off. I would also like to register another complaint about the Modern Library list, which ranks this as third-best novel in the 20th century behind only Ulysses and The Great Gatsby. In other words, two of the top three on the list are by Joyce. As it happens, Joyce is one of the few writers on this list who I think deserves two titles, as opposed to, say, Joseph Conrad (4), Evelyn Waugh (3), Ford Madox Ford (2), and other lapses. For that matter, Joyce doesn't deserve the three he gets—down at #77 we find Finnegans Wake of all things. Did all the voters really reread it to make sure it was as good as they remembered? That position, about #77, is where I think Portrait should go, a worthy and valuable book but not nearly as good as many it's ranked over (The Sound and the Fury, Catch-22, and The Grapes of Wrath, to name three in the top 10). Well, file all that under the agony of making lists. The religion aspect of Portrait might make it less interesting to me—in terms of liberating oneself from that particular morass I think Samuel Butler's Way of All Flesh is the better novel (or memoir), if decidedly 19th-century and not modern. But Joyce is such a good writer, and so modern, he can obscure things like that.

In case it's not at the library.

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