Like most of the later novels in the 87th Precinct series of police procedurals by Ed McBain, The Frumious Bandersnatch is loose and uneven, with some aspects given more thoughtful attention than others. McBain concocts a plot based on Lewis Carroll and hip-hop. Most of the energy is spent on the first very long chapter, which details a sensational kidnapping that happens to be captured by a TV crew. A new performing talent, Tamar Valparaiso, is about to release a debut album, a concept album which riffs on Carroll's "Jabberwocky." (I'm not sure whether McBain knew it, but there was a '60s psychedelic rock band from San Francisco called the Frumious Bandersnatch, whose members went on to play with Steve Miller and/or Journey.) At the launch party for the album, on a boat in the harbor, Valparaiso is kidnapped in a daring, brazen, etc., and we're off and running. The jurisdiction of the crime falls to the 87th, but because it's a kidnapping the FBI is involved. Our usual hero Steve Carella is dispatched to work with them. But there are tensions because the FBI has no respect for local cops. Inevitably Carella shows them how wrong they are. Once again, Fat Ollie Weeks is here because McBain likes writing about him. He has some unconnected scenes as he starts to date a uniform officer, Patricia Gomez. Because she's Hispanic, Fat Ollie has to confront his own bigotry. It's pretty much predictable but there's a surprising moment at the end of one of their dates. Meanwhile, the main case takes an ugly turn at the end—McBain actually finds a new way to be cruel with the fate of the singer. Overall the Carroll element is weak, most of it built into the singer and her album. But McBain randomly inserts Carrollisms all the way, to keep the concept freshened and perhaps out of appreciation for the always strangely lyrical nonsense syllables. Otherwise it's all familiar elements present and accounted for, e.g., the late humanizing of Fat Ollie. Bert Kling and his African-American surgeon girlfriend Dr. Sharyn Cooke get some scenes. McBain's voice is still engaging, but he's less energetic, more prone to dated ways of thinking. Not bad if you're getting to all of them.
In case it's not at the library.
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