After Daydream Nation thoroughly crossed my wires, "Titanium Expose" took a while to sneak up on me. I didn't care either way about the major label thing but I was never a particular partisan of its home, Goo, aside from the fact it's square in the middle of their great years. So it's good. In fact, it's very fine. But it's also when it started becoming a matter of sorting out hits and misses. Always some of both in Sonic Youth albums for many years—still, actually. For the longest time "Titanium Expose" was one of those fine points, that song near the end. In the CD era of listening to one-sided or scrambled sequencing it seemed more work always to distinguish one from another, or they could blur. Anyway, this is where I get all rock star-crossed. Swoon, high as a kite, did that just happen? See also The Year Punk Broke, opening shot. What it felt like and what it was like. That's found nearly pure in scattered passages of the 6:25 "Titanium Expose," floating up for maybe a minute altogether, when it's wound up right, when the pounding suddenly turns sublime, ecstatic, throbbing, powerful, etc. Life force, alive. At about the 3:50 mark, and the best of it lasts 20 seconds there—20 seconds good for a lifetime's faith. Here's where the breaking bread happens. All the good adjectives. I've heard it so much I have a hard time hearing it any more. It's already over and done, and I missed again (at least on a conscious level) it. But it's part of my brain or psyche now anyway. "Titanium Expose" will always have a place.
No comments:
Post a Comment