If not a hurry-up job to get something on the market, for whatever reason, this at least is some kind of transitional job. Resembling its predecessor Weasels Ripped My Flesh more than Frank Zappa's first official solo, Hot Rats, but neither so much like any of the Mothers albums from the '60s. Which is to say it's something of a pastiche but without much effort to tie the pieces together. So take it in the pieces offered: Zappa's fine guitar showcase on "Transylvania Boogie," the introduction of Flo & Eddie to the Mothers family, a brief nod to Zappa the nuanced composer on the brief "Twenty Small Cigars," the usual lame jokes about groupies and the rock 'n' roll life, snorts, belches, and hey, that's my old friend Peter getting one in off rhythm on the live section of "The Nancy and Mary Music," recorded at the Guthrie Theater in Minneapolis, Minnesota, with audience participation. Good going, Peter!
Tuesday, October 30, 2007
Chunga's Revenge (1970)
If not a hurry-up job to get something on the market, for whatever reason, this at least is some kind of transitional job. Resembling its predecessor Weasels Ripped My Flesh more than Frank Zappa's first official solo, Hot Rats, but neither so much like any of the Mothers albums from the '60s. Which is to say it's something of a pastiche but without much effort to tie the pieces together. So take it in the pieces offered: Zappa's fine guitar showcase on "Transylvania Boogie," the introduction of Flo & Eddie to the Mothers family, a brief nod to Zappa the nuanced composer on the brief "Twenty Small Cigars," the usual lame jokes about groupies and the rock 'n' roll life, snorts, belches, and hey, that's my old friend Peter getting one in off rhythm on the live section of "The Nancy and Mary Music," recorded at the Guthrie Theater in Minneapolis, Minnesota, with audience participation. Good going, Peter!
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