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Thursday, October 25, 2018

"Incident in Moderan" (1967)

David R. Bunch is the only writer in the Dangerous Visions anthology to get two stories, probably because they're so short, but it's interesting partly because it's not a name I know at all. Bunch published mainly in the speculative genres but pursued a PhD in English and also wrote and published poetry and more traditional literary work. He remained obscure all his life and after, for the most part. He died in 2000. "Incident in Moderan" later became part of a 1971 cycle of Bunch stories, Moderan, which is now considered a significant influence on cyberpunk SF (and was actually republished in a reworked edition just last month). This very short story presents a dystopic vision of future Earth with the planet covered in plastic, a cyborg technology that has made great advances, and perpetual war. It takes place during a rare break in the war, enabling one side to repair its defenses. The first-person narrator is a cyborg, which we learn eventually through inference. The story involves an encounter with "mutant forms," which appear to be humans who have rejected cyborg technology, though they may be mutants and not human as we think of it now. Again, learned by inference, through the blizzard of oblique conceptual detail given as scenes unfold. This is how the narrator perceives one of the mutant forms talking: "Blue soft lips parted and a yellow-pink piece of gristly meat jigged up and down in wet slop ... [a] somewhat vulgar performance of meat and air." I have to admit I'm probably more fascinated now by Bunch's obscurity than his stories. He published a fair amount in his life—albeit a share of that at the level of fanzines—but his two stories in this collection were basically all that was in print until the recent rerelease of Moderan. If "Incident in Moderan" did not make much impression on me, it could be a problem like I had with Poul Anderson's story last time, just too much concept for the in media res treatment within the confines of a short story (or, indeed, short short, as this very nearly is). But Bunch's language certainly has a nice sheen of clarity, and that element of cruelty which editor Harlan Ellison has shown a consistent taste for is present as well. The story is almost very good. Looking forward to Bunch's second bite at the apple next week.

Dangerous Visions, ed. Harlan Ellison

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