"You're My Woman" A more worthy follow-up to Moondance than the two immediately before and after this (His Band and the Street Choir and Saint Dominic's Preview), this one might also mark a point where agreements about Van Morrison begin to splinter. I think he's at his best when he sweetens the sauce and lets the music sparkle, holding the line on the longer workouts, which often—not always—drift toward self-indulgence (cf., "Listen to the Lion" on Dominic's). That's exactly what he's done here. Featuring career highwater marks in both "Wild Night" and "You're My Woman," nothing here is less than perfectly fine. The band boasts that Van Morrison specialty of playing both tight and loose all at once (how do they do that?), the tunes are exquisite, the chick singers fantastic, the harpsichord once again works, and the feeling throughout is warm, tender, and sweet. A good one.
Friday, November 02, 2007
Tupelo Honey (1971)
"You're My Woman" A more worthy follow-up to Moondance than the two immediately before and after this (His Band and the Street Choir and Saint Dominic's Preview), this one might also mark a point where agreements about Van Morrison begin to splinter. I think he's at his best when he sweetens the sauce and lets the music sparkle, holding the line on the longer workouts, which often—not always—drift toward self-indulgence (cf., "Listen to the Lion" on Dominic's). That's exactly what he's done here. Featuring career highwater marks in both "Wild Night" and "You're My Woman," nothing here is less than perfectly fine. The band boasts that Van Morrison specialty of playing both tight and loose all at once (how do they do that?), the tunes are exquisite, the chick singers fantastic, the harpsichord once again works, and the feeling throughout is warm, tender, and sweet. A good one.
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