The much anticipated (and/or dreaded, depending on your point of view) major-label debut follow-up to Daydream Nation entered a worthy placeholder in the band's career. Obviously there was never going to be any corporate compromise/sellout going on here—there could not possibly be, given all that Thurston Moore & crew had at stake. Just as obviously, if only in hindsight, it was never going to be a match for the album before it. Not much could be. Disappointment, pleasure, relief—that was all in the eye of the beholder. I think it's pretty good. Spotty, maybe. But the sheets of noise are there. The melodies are still improving. The occasional jokes sharpening. It was brave enough given major-label expectations on all sides. And it still sounds pretty good. How many albums from 1990 can you say that about?
Thursday, November 15, 2007
Goo (1990)
The much anticipated (and/or dreaded, depending on your point of view) major-label debut follow-up to Daydream Nation entered a worthy placeholder in the band's career. Obviously there was never going to be any corporate compromise/sellout going on here—there could not possibly be, given all that Thurston Moore & crew had at stake. Just as obviously, if only in hindsight, it was never going to be a match for the album before it. Not much could be. Disappointment, pleasure, relief—that was all in the eye of the beholder. I think it's pretty good. Spotty, maybe. But the sheets of noise are there. The melodies are still improving. The occasional jokes sharpening. It was brave enough given major-label expectations on all sides. And it still sounds pretty good. How many albums from 1990 can you say that about?
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