"Wrecking Ball" I don't know about you, but by the time this came out I had about had it with Neil Young and his zany career across the '80s (not that that made David Geffen's lawsuit any less idiotic).
Trans? OK, sure. Good songs. But the Shocking Pinks?
Landing on Water?
This Note's For You? No, no, and no. Maybe it was Geffen after all. Whatever. Something straightened him out. This marked the beginning of a resurgence from which he still enjoys momentum. The songcraft that had deserted him returned. He engaged the world again. He meant every word, and practically every word hung from a lovely melody and/or treaded rock-solid underpinning. It's as if the way ahead simply crystallized for him one fine day.
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